Friday, January 30, 2009

after the storm

If you've heard about Kentucky in the news lately? It's all true...we've had a bad ice storm. I've been lucky; we've had electricity, phone and internet, unlike most of the state. We (the dogs and I) spent a quiet week working hard inside, warm and comfortable, aside from the crashing sound of breaking tree limbs. (which is very scary to highstrung dogs!)

Unfortunately, the professor had to work, so we walked him to the university. We're lucky to live only a half mile away, so that's why this was possible. It's really an ice rink on some of the sidewalks, though! One student at the university was injured because a tree limb fell on her as she walked underneath it. It was very unsafe for a day or two. Now it's just cold (it hasn't gotten above freezing) and slick, still a dangerous combination, especially if you don't have electricity...and, if you live in a rural area, you then don't have water (electric pumps for the wells) or possibly heat either.
Yesterday I de-iced my car (it took 30 minutes, the driver's side door was ice-glued shut, so I climbed through the passenger door to begin the process!) in preparation for catching a flight to visit my family. I'm off to Virginia for the weekend, assuming all goes well.

On the knitting front, I've been working with some laceweight yarns, doing a little swatchy swatchy knitting...pictured here. So, here's a fanciful question for all you laceweight fans with electricity and internet access:

If you could choose any kind of fiber for your laceweight creations, what do you prefer? Why? Is there something you absolutely avoid? (cotton? Multi-color?) Are there things with too much drape? Too much elasticity? Curious knitting writers wonder about these things!
Tell me what you think in the comments, please-- Your insight is useful.

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    In 2007, Joanne Seiff was awarded an Al Smith Fellowship in recognition of artistic excellence for professional artists in Kentucky through the Kentucky Arts Council, a state agency in the Commerce Cabinet, supported by state tax dollars and federal funding from the National Endowment for the Arts, which believes that a great nation deserves great art.

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