Sunday, April 04, 2010

creativity and the slog

It seems like a good time of year to talk about creation...what with springtime and all its attendant holidays, etc. That, and a friend who reads my blog sometimes said, "You wrote that whole post about the socks and never described HOW you explained that you design stuff!"

Hmm. Well, if it were always easy to explain and I had a check list on how I did it, well then, anybody could do it, right?
No, I think I just didn't do an effective job of explaining it to that engineer friend. I'm still struggling. Here are some thoughts.

Sometimes, I am inspired by something I see. For instance, a detail I see in a building's design, or in nature, or even a person's sweater in an airport. The photos in this post are from a trip to Ireland, about 4 years ago, I think. I shot lots of photos of these buildings--something in the curlicues, circles and lines really attracted me.

Other times, I get my hands on a really delicious sort of fiber or yarn, and it just calls to me. I swatch and experiment and think about it until I can come up with something to design it into. Swatching sometimes indicates what needle size I'd prefer, what stitch pattern looks best, and how the yarn behaves. These are all essential to creating something that is actually useful later, after knitting.

The things I've mentioned, above, often require a bit of day dreaming to get it right. Play, experimentation and brainstorming are all a part of this process at times. This is true for some of my writing projects as well. Taking walks, dreaming, and knitting, spinning or weaving meditatively will often give me the ideas and the solutions to problems I'm thinking about.

This is the point where I should mention that I'm not short on ideas. That's not the problem. The problem is getting the ideas to a point where I can sell them (as a design, article, book, etc.) to someone else. That part can be, well, a slog...but more on that in a bit.

Another option is when someone asks me to design a specific garment or project. I then work from what the finished project will look like. I choose the right colors of yarn, textures, styles, and crunch the numbers for the design based on a swatch I've knitted.

I think the difference between a professional designer/writer and an occasional innovator has a lot to do with the "slog" part of things. Yes, a professional sells things, and the hobbyist might not, but that is not necessarily the definition I think about on my own. After all, Van Gogh was a pretty fine painter and his work didn't sell all that well. I'd still call him a professional!
The slog (at least for me) involves getting down every bit of the technical writing of a design. It involves creating attractive photos and good schematics. It means manipulating graphs into charts that knitters can work from. It's creating a satisfying layout for a pdf and making sure I can hire a technical editor and afford to pay her, too.
Sometimes, the slog is even just knitting up a design sample that I find boring to knit...and perhaps it's something I'd never wear in a color I don't like...because occasionally, selling a design means using a color I'd never choose and a style that wouldn't ever be flattering for me. That's when it can be a slog and not a joy.
When I write, I find some things are fun to do from beginning to end, and other assignments are more of a slog. This doesn't correlate to how technical it is, or how long the article is, or even the subject matter.
It might that this part is where the muse comes in. The creativity part is hard to describe, and while I can get into the technical bits, I find that nothing there is inspiring. It's when a day flies by with lots to write about, or when a design just flows out of me without any set backs. It's like the muse dropped by that day, and better yet, she knew what I'd need.
Then, the muse leaves and I'm back to the slog. It means finding ways to sell my work, market it, and actually try to earn something from it. That's the not fun part for me.
I think sometimes that creativity isn't the problem. It's funding and supporting things that make creativity happen.
For instance, qiviut (or musk ox fiber) is a very rare, very warm and luxurious fiber. It's hard to get your hands on this stuff, but when you do, it is well worth it. This qiviut has inspired generations of Alaskan knitters who create amazing, lacy warm works of art with it. (To learn more about this story, check out Arctic Lace by Donna Druchunas--it's a great book...a real inspiration!)

50 years ago, a man named John Teal, Jr. started the first musk ox farm in Alaska, where these amazing beasts were cared for and bred in captivity. This man had a dream, and his creativity and love for these animals created an amazing resource for Alaskans.

Here's the slog part. Here's what's happening today:
I am the Granddaughter of John Teal Jr, the man who domesticated the Musk Oxen and started a market for its amazing and exotic wool, Qiviut.

Our non-profit farm in Palmer Alaska is in great danger of being sold and dissolved, and I am doing everything in my power to keep it going as a sustainable and viable operation.

But I need help. I have to raise funds to prevent the sale, to keep the grazing land of our herd of 55 Musk Oxen, and to prove to the board that our project is valuable to the greater community. The knitting and fiber community is an important part of our support network.

Any amount will make a difference.

Thank you!

Quill Teal-Sullivan
Granddaughter of John Teal Jr
Not everybody is an artist, and maybe the muse didn't drop by every day... but we all can enjoy those occasional bursts of creativity and dreaming, in ourselves and in others. Some people can help maintain the materials that inspire us all towards becoming creative in our own way.
Want to help support musk oxen? Visit the Musk Ox Farm link and maybe you can lend a hand.

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Wednesday, January 20, 2010

vicarious qiviut

and travel...

A while back, my friend Donna Druchunas invited me to be part of her blog tour. This isn't because I contributed to her forthcoming book (information below) or even because I'm an expert on lace. Instead, it's because we both share a joy in common. We love to explore fiber arts topics when we travel. Even better, we like writing about it so others can experience all this vicariously, from home.

This qiviut story starts at least 10 years ago. (qiviut comes from musk oxen, it's very very warm and soft.) See photos, shot by my professor, for what a musk ox is! While I was in graduate school, I had an email "penpal" friendship with a spinner in Alabama. This kind spinner Ellen decided I must experience qiviut. She filled up a plastic baggie with a sample, sent it to me in the mail, and gave me a fabulous gift. That qiviut was a spinning experience! I plied it with tussah silk. I knit it into a scarf for my brother-in-law, who was single at the time.

He declared it a "chick magnet" scarf. He was right and is now happily married. I asked his wife recently, and she said-absolutely--a seriously seductive scarf!

About five years ago, my professor went to a summertime biology conference in Fairbanks, Alaska. At first, he wanted me to come with him. Then we looked at the high season airfare and other costs. (outrageously expensive!) I explained that while I could skip Fairbanks, what I really wanted was to visit the Large Animal Research Station, where the university biologists studied musk oxen.

My professor promised me a vicarious trip. He shot these photos so I could "see" the musk oxen in action. He described it to me in detail when he got home. He also purchased me an entire pound of the fiber.

I was so stunned by this gift (it's very expensive stuff) that at first, I didn't know what to do. Then, I got a grip and sent it out to be dehaired by machine. After that, I sold a couple of the ounces, and this helped cover this enormous purchase. The professor pointed out that compared to paying for my flights to Alaska, the qiviut was a trinket. This is a very rare and precious fiber. I had a hard time seeing it as a trinket. :)

Today, the qiviut awaits me--but sometimes waiting is the right thing. When Donna's book Arctic Lace came out, I had the pleasure of reviewing it. When I met the professor's new department chair here in Manitoba, she mentioned knitting a qiviut tuque (hat) for her husband as the ultimate in warm luxury. The ideas I have now are as exciting as dreaming of adventure or fiber arts travel.

This blog tour post is to celebrate a few of Donna's special upcoming events (information below) but it's also to celebrate Donna's big wedding anniversary and her trip to Hawaii. She's currently having a tropical adventure right about now!

To celebrate, I'm giving away a signed copy of Fiber Gathering! I want to encourage some more vicarious travel. If you'd like to win a copy of the book, please leave a comment, and I'll do a random drawing on Sunday, January 24th. Make sure I have a way to contact you via your blog, email address, or some kind of smoke signal if you'd like to win!

Here's information about Donna's new book:
Successful Lace Knitting by Donna Druchunas will be released in May on the Musk Ox & Glaciers Knitting Cruise, where Donna will be teaching along with Lucy Neatby. The audio book edition of Arctic Lace will also be published at the same time, so cruise participants will be among the first to have a chance to see (and hear!) these two new releases.

To enter to win 2 balls of laceweight qiviut yarn, sign up for the cruise mailing list here:

Musk Ox & Glaciers Knitting Cruise

Finally, if you don't need a signed copy of Fiber Gathering, but just want to say hello, that's good, too. Please say hey in the comments and remind me (no book please) not to enter you into the drawing! Thanks!

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Sunday, January 17, 2010

lack of improvement

I'd meant to post about other things but this week's tragedies in Haiti (and beyond) have distracted me. I'm also upset about this man-made harm:

Second Arson Attack at Etz Hayyim Synagogue

and although I am going about my daily life here, weaving and knitting, cooking, editing, writing, and walking dogs...I'm also saddened by this senseless destruction. If you'd like to send a little to help rebuild this congregation that's been targeted by hate in Crete, the information is in the first blog post I did, about the first arson attack...just scroll down a bit.

Later this week, I'll be part of a blog tour with my friend, Donna Druchunas and we'll get back to some happier stories about qiviut, fiber arts, and more. Stay tuned...there will be prizes involved!

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  • Check out my website here: www.joanneseiff.com
  • Sheep to Shawl
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  • Carpe Diem!
  • Knitting Along the River
  • Getting Stitched on the Farm
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  • Kentucky Arts Council
    In 2007, Joanne Seiff was awarded an Al Smith Fellowship in recognition of artistic excellence for professional artists in Kentucky through the Kentucky Arts Council, a state agency in the Commerce Cabinet, supported by state tax dollars and federal funding from the National Endowment for the Arts, which believes that a great nation deserves great art.

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