Tuesday, September 14, 2021

Still here

I recently got an email asking me if someone could monetize my blog and post homesteading articles.  Obviously time to get back to writing on the blog!  (and --just no-- unless you consider twins and a dog on a city street homesteading?  Huh?)  
So where have I been?  I've been supervising kids' summer time play while I spin and knit.  This is destined to be a kid sweater made out of plotulopi yarn from Icelandic.  Lightweight, warm, but a little delicate to knit.  Ideal for sitting still and knitting, but not for carrying around too much, in my experience.
Kids went back to school this past week and I was tasked with making more exciting, new masks.  Unicorn, horse, octopus, and soda pop patterns seem to be a hit...we have plenty of masks, of course, but these are the fancy new "back to school" ones.  We're grateful for the mask mandate but since our kids aren't old enough yet to be vaccinated, a bit wary about how long this 'in-school' stuff will last.  Delta variant is real. Making a masks is a good way to cope with the mom worry!  
I've also been busy putting up food.  Plum apple chutney, apple chips for school lunches, applesauce, and more. Having food on the shelf in the winter is great, but I don't think it makes me a homesteader?  (Please, give me more land for gardening and some sheep, as well as access to take out food options...that would be a heck of a farm.)

I've also continued to work as I can.  Part of the reason why there have been fewer blog posts is that I decided this past year to narrow my focus.  It was very important but also a lot to manage, having my kids home to do remote schooling/home learning for 11 months.
I optimized my time...I kept writing a regular column for this Vancouver paper.  I also have had occasional pieces run in other publications.  All my knitting patterns (around 80!) are still available on RavelryLovecrafts.com and Payhip.  
However, I realized that if a gig wasn't paying much, or might take a lot of time or risk exposing kids to COVID?  It just wasn't worth it. I'm considering my options now about what work will look like for me in the future. I miss the teaching I used to do, and the collegiality of editing for someone on a daily basis, too...but for now, I want to find ways to ensure I'm both available if kids need me and earning something for my writing, editing, designing and teaching.  People talk about work being satisfying (and that's important to me!) but work is also valuable.  My experience, skills and time should be worth something, too. 
In the meanwhile, we'll be exploring outside while the weather holds and eating lots of delicious stuff as we cruise through the fall holidays. That's an apple cinnamon challah I made.  It was a hit!

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Tuesday, September 15, 2020

Reflections on the comments section

 A few weeks ago, I submitted a piece on provincial outsourcing policies to an editor.  She responded in a way that made it unclear if she was going to buy that piece.  Instead, she asked something like, 

"Honestly, I'd be more interested in hearing from you in terms of your observations on COVID-19 and anecdotes from the world you are living right now."  

I responded with this piece which an editor bought quickly. It went live over the weekend.  I received multiple private notes and thank you comments from women. Meanwhile, the comments sections of the CBC article (and its facebook repost) were roughly the equivalent of dumpster fires, in another friend's words.

 Multiple surveys and media reports have shown the employment/career issues with the pandemic when it comes to inequality in women's lives. I saw no reason to rehash that. Instead, I provided anecdoctal evidence of the pandemic's effects on women's careers--anecdotes from my life and 5 or so other women's lives (I described them vaguely and with composite vignettes, to preserve their anonymity).  These stories "from the front lines" weren't good enough for individuals who wanted to comment on all aspects of women's personal lives, bodies, marital and reproductive choices.

Nobody commented on my professional work credentials or education -nothing about book publications or degrees, but rather on my reproductive choices and personal blog posts! There were questions on why I'd bothered with graduate education (My undergrad advisors at Cornell thought I should?! It helped me teach at community colleges and universities in the past?) and rude comments about the rug I wove for Sadie's water bowl. It's sort of amazing what people feel emboldened to say online.

This is one reason why I like to write more on ideas/policy...but until then, I need to write what sells, and what I know.  It's not always the most intellectual stuff.  My articles on knitting, canning, baking, etc. sometimes sell faster than more academic or political critiques. People ask more about my children  than about my work...and all this is a sign of how women's work is valued in our society. (This isn't really a measure of my skills, it's about society's priorities for women.)

I'm going to keep posting here about my writing life as well as my 'home/making/creative life.' For me, they aren't really separate professional/personal spheres right now.  (I loved getting comments on the blog when folks used to leave notes!  It was a great way to build bridges.)

Many writers don't ever read the comments on their articles. I hold out hope that the feedback would be on topic and relevant so I read them. (...Although it often feels like self-flagellation.) Then I take a moment to remember something.  If these folks wrote opinion pieces and submitted them rather than filling up the comments section, they could also share their experiences and ideas.  Better yet, I think about the rug I made, or more generally, the work of my hands. I wonder if they are all capable of making rugs by hand when they need them. If not, there's no room to belittle others for their labours.

We can all talk about ideas and agree to disagree in a civil way.  Commenting negatively on people's bodies and choices doesn't push your views, ideas or agenda forward. It casts a shadow--but it's not a reflection of my work.  It reflects on the commenter's character..not mine. 

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Friday, February 07, 2020

Value of work

This week got lost entirely.  I've only made slow progress on a variety of work fronts--I had some medical appointments, and it's been cold, which makes everything seem harder and more tiring.  Today my article ran in the Jewish Independent (a version also ran in the Jewish Post & News earlier this week):
What is the worth of work?

I think about this often because much of my work -as a writer, designer, maker or mom-- isn't compensated or valued in the ways that society sees as important.  (That is, I don't earn much.)  For instance, I ordered two pairs of wool tights and by the time they came to Canada, I'd paid an awful lot per pair.  (taxes, fees for postage and handling, etc.)  But one pair arrived with a big hole on this seam!  The shop reimbursed me for the pair of tights, which was great.  I was able to mend the hole, and now I have what amounts to a $90 CDN pair of tights--which I got for free, because I know how to mend.  Whew!

I also got to fix three pairs of little boy jeans this week...iron-on patch, and then I use the sewing machine to stitch the holes up as well.  This sort of reuse and repair is nothing new, but it does seem less common among their classmates than I'd expect.  These skills are less common now, and seen as something special or an important statement about the environment.  And yes, I care about the environment, but I also hate to buy new jeans when my kids wear through them this fast!

If you're a spinner, are you going to any spinning retreats?  For the most part, I don't go to these--I have young kids and they need me.  Also, these events are expensive and usually on Shabbat (Friday night to Saturday night.) But they do look like fun!  I was recently asked if I wanted to contribute to a "goody bag" for Plyaway, which is happening in April.  I thought it might be fun to include special coupon codes for my knitting patterns.  

The coupon needed to be in black and white.

So, part of my work this week?  Creating a fun graphic to include on the coupon.  I transformed the photos for the Due North Mittens into something new.  Here were some of the steps along the way.  If you happy to get a coupon in April, you may recognize where it came from!!

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  • Check out my website here: www.joanneseiff.com
  • Sheep to Shawl
  • Dances with Wool
  • Carpe Diem!
  • Knitting Along the River
  • Getting Stitched on the Farm
  • Modeknit/Knitting Heretic
  • Pleasant & Delightful
  • Catena
  • Independent Stitch
  • Rosemary-go-round
  • Spin Dye Knit
  • Kentucky Arts Council
    In 2007, Joanne Seiff was awarded an Al Smith Fellowship in recognition of artistic excellence for professional artists in Kentucky through the Kentucky Arts Council, a state agency in the Commerce Cabinet, supported by state tax dollars and federal funding from the National Endowment for the Arts, which believes that a great nation deserves great art.

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